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漩涡
うずまき
Uzumaki（Spiral）
罗马字 Uzumaki
类型 青年漫画、恐怖漫画
漫画
作者 伊藤润二
出版社 日本 小学馆
台湾地区香港 东立出版社
中国 新星出版社
其他出版社：
美国 碧日
连载杂志 Big Comic Spirits
丛书 Big Comic
连载期间 1998年7号—1999年39号
出版期间 1998年1月19日—1999年8月30日
册数 全3卷
话数 全20话
其他 包含特别篇
电视动画
原作 伊藤润二
导演 长滨博史
音乐 Colin Stetson
动画制作 Drive
制作 Production I.G
代理发行 华纳兄弟电视公司
播放电视台 美国 Adult Swim
预定播放日 2022年
动漫主题－电子游戏主题－ACG专题－模板说明

Uzumaki（うずまき，直译： "Spiral"[1]） is a Japanese horror（英语：Horror comics） manga series written and illustrated by Junji Ito. Appearing as a serial in the weekly seinen manga magazine Big Comic Spirits from 1998 to 1999, the chapters were compiled into three bound volumes by Shogakukan and published from August 1998 to September 1999. In March 2000, Shogakukan released an omnibus edition（英语：omnibus edition）, followed by a second omnibus version in August 2010. In North America, Viz Media serialized an English-language translation of the series in its monthly magazine Pulp from February 2001 to August 2002. Viz Media then published the volumes from October 2001 to October 2002, with a re-release from October 2007 to February 2008, and published a hardcover omnibus edition in October 2013.

The series tells the story of the citizens of Kurouzu-cho, a fictional city which is plagued by a supernatural curse involving spirals. The story for Uzumaki originated when Ito attempted to write a story about people living in a very long terraced house, and he was inspired to use a spiral shape to achieve the desired length. Ito believes the horror of Uzumaki is effective due to its subversion of symbols which are positively portrayed in Japanese media, and its theme of protagonists struggling against a mysterious force stronger than themselves.

The manga was adapted into two video games for the WonderSwan and a Japanese live-action film（英语：Uzumaki (film)） directed by Higunchinsky. The manga has received generally positive reviews from English-language critics. It was nominated for an Eisner Award in 2003, and placed in the Young Adult Library Services Association（英语：Young Adult Library Services Association）'s list of the "Top 10 Graphic Novels for Teens" in 2009.

An anime television series adaptation animated by Drive and co-produced by Production I.G USA and Adult Swim has been announced, and is scheduled to premiere in October 2022 in the United States on Adult Swim's Toonami programming block before Japan. The anime will be produced entirely in black and white.[2][3][4]

剧情大纲

本作的剧情发生在宁静的日本小镇“黑涡镇”，女高中生五岛桐绘、其男友斋藤秀一，以及镇上的居民们都受到“漩涡”的诅咒，发生一连串超自然的事件。秀一的父母都因漩涡而死，他因此率先察觉到诅咒的存在。桐绘也亲眼目睹了诅咒是如何影响人们，多次为秀一所救。虽然不断发生事件，居民大致都还正常地生活着，一直到漩涡引发的数个台风来袭为止。台风在镇内持续肆虐，居民们出现内部冲突，并且饥不择食。黑涡镇只能进不能出，搜救队员也跟着被困住。桐绘眼看情况越来越失控，带着弟弟企图离开镇上，结果也因为诅咒的关系而离不开。

桐绘回到镇上后发现时间已过多年，居民将长屋加盖，变成一圈又一圈的漩涡状，就如同百年前镇上的样貌一样。桐绘找到秀一，两人一起去看了镇上的湖，发现底下有通道，通往人类难以理解的漩涡遗迹。秀一推测遗迹就是诅咒的源头，会以百年为周期发起一次这样的大规模诅咒，历史会不断地重演。无法动弹的秀一认为这次的诅咒已到尾声，希望桐绘回到镇上继续生活，但桐绘宁愿待在他的身边。最后两人躺在遗迹里，手和脚化为漩涡交缠着。

登场人物

注：声优栏位为2022年动画版声优

五岛桐绘（五島 桐絵（ごしま きりえ））
声优：佐武宇绮[5]
本作主角，长相秀丽，有着一头长发（故事后期剪成短发），父母是陶艺家，有一个弟弟。一家四口住在镇中心。个性沉稳温柔，心思细腻，正义而乐于助人。相对黑涡镇居民是完美纯洁的，因此对于漩涡诅咒有先天的警觉排斥和些微免疫能力。
斋藤秀一（斎藤秀一（さいとうしゅういち））
声优：三木真一郎[5]
桐绘以前的同班同学，也是她的男朋友，戴着眼镜。因就读邻镇的高中而每天搭电车通学。有着神经质和过度敏感的个性，最先感知到漩涡诅咒已经污染黑涡镇的事实，在父母因为诅咒相继去世后一直想带着桐惠离开，在黑涡镇逐渐走向灭亡时一直尽力保护桐惠。对于诅咒的先天警觉和排斥较桐惠来得更强，具有些微免疫能力。
桐绘的父亲
声优：古川登志夫[5]
秀一的父亲
声优：松山鹰志（日语：松山鷹志）[5]
Yukie Saito
声优：土井美加[5]
Azami Kurotani
声优：伊濑茉莉也
Katayama
声优：Katsutoshi Matsuzaki[5]
Okada
声优：羽多野涉[5]
Tsumura
声优：Tatsumaru Tachibana[5]
Yokota
声优：远近孝一[5]
Shiho
声优：Ami Fukushima[5]

创作过程

《漩涡》由伊藤润二原作和作画。原本的故事构想是有一群住在非常长的传统日式长屋的人，他们身上即将发生诡异的变化；其灵感源自伊藤小时候住在类似的房子里的亲身经历[6]。伊藤正在摸索如何绘制这么长的建筑时，受到蚊香的形状启发，决定将建筑画成漩涡状来呈现长度[7]。伊藤称漩涡是“神秘的符号”，并形容绘制《漩涡》就是探寻漩涡秘密的一次尝试。伊藤在后记称，他为了寻找灵感而做的事情包含死盯着漩涡图案、研究漩涡、将浴缸的水放掉以制造漩涡、吃有漩涡图案的食物，以及养蜗牛[8]。Looking back on the series in 2006, Ito stated that while he was still uncertain what the spiral stood for, he thought it might be representative of infinity.[9]

Uzumaki was influenced by the positive representation of spirals in media, which inspired Ito to subvert them to create horror, stating: "Usually spiral patterns mark character's cheeks in Japanese comedy cartoons, representing an effect of warmth. However, I thought it could be used in horror if I drew it a different way." The story in which Kirie's hair is cursed by the spiral reflects a recurring theme in Ito's work in which a heroine's hair has a life of its own. Ito uses this imagery because it lends itself well to horror due to its association with the Japanese feminine ideal (Yamato nadeshiko), as well as the unnerving flowing motions of long hair, which he describes as snakelike. Ito also noted that horror writer H. P. Lovecraft was one of his inspirations when creating Uzumaki, stating that the gradual development of the spiral curse was patterned on Lovecraft's storytelling and that "Lovecraft's expressionism with regard to atmosphere greatly inspires my creative impulse."[9]

Publication

The manga began as a serial in the weekly manga magazine Big Comic Spirits from 1998 to 1999.[10][11] Shogakukan compiled the chapters into three bound volumes and published them from August 1998 to September 1999.[12][13] To celebrate the release of the live-action film, the manga series was released in an omnibus volume in March 2000, with an additional "lost" chapter.[14] Shogakukan released another omnibus edition on August 30, 2010, with the same content and additional commentary from Masaru Sato.[15]

In North America, Viz Media serialized an English-language translation of the series in its monthly magazine Pulp from the February 2001 issue to the August 2002 issue.[16][17] It published volumes of the series from October 2001 to October 2002.[18][19] Viz Media re-released the series with new covers from October 2007 to February 2008,[20][21] and published the omnibus volume in hardcover with twelve color pages on October 13, 2013.[10] The series has also been translated into other languages, such as Spanish,[22] French,[23] Brazilian Portuguese,[24] Polish,[25] Swedish,[26] Mandarin,[27] Korean,[28] and Serbian.[29]

卷数 日文发售日期 日文ISBN 中文发售日期 中文ISBN
1 1998年8月29日[30]4-09-185721-32000年2月20日[31]—
  • 【第1话】漩涡狂·之一（うずまきマニア：その1）（1998年第7号）
  • 【第2话】漩涡狂·之二（うずまきマニア：その2）（1998年第8号）
  • 【第3话】伤痕（傷跡）（1998年第12号）
  • 【第4话】窑变（窯変）（1998年第17号）
  • 【第5话】扭曲的人们（ねじれた人びと）（1998年第21、22合并号）
  • 【第6话】鬈发（巻髪）（1998年第26号）
  • 后记
2 1999年2月26日[32]4-09-185722-12000年3月20日[33]—
  • 【第7话】惊奇盒（びっくり箱）（1998年第30号）
  • 【第8话】蜗牛人（ヒトマイマイ）（1998年第35号）
  • 【第9话】黑色灯塔（黒い灯台）（1998年第39号）
  • 【第10话】蚊住（蚊柱）（1998年第43号）
  • 【第11话】脐带（臍帯）（1998年第48号）
  • 【第12话】台风1号（台風1号）（1998年第52号）
  • 后记
3 1999年9月30日[34]4-09-185723-X2000年4月5日[35]—
  • 【第13话】鬼住的长屋（鬼のいる長屋）（1999年第8号）
  • 【第14话】蝶（蝶）（1999年第12号）
  • 【第15话】混沌（混沌）（1999年第17号）
  • 【第16话】续·混沌（続・混沌）（1999年第21、22合并号）
  • 【第17话】逃脱（脱出）（1999年第26号）
  • 【第18话】迷路（迷路）（1999年第30号）
  • 【第19话】遗迹（遺跡）（1999年第39号）
  • 特别篇 银河（銀河）（2000年第9号）
  • 后记

Video games

Two video games were developed and published by Omega Micott for the Bandai WonderSwan. The first, Uzumaki: Denshi Kaiki Hen（うずまき 〜電視怪奇篇〜，Spiral -Power Vision Strange Edition-）, was released on February 3, 2000 and is a visual novel retelling the events of the manga.[36] Kirie Goshima's actor, Eriko Hatsune makes a special appearance.[37] The second game, titled Uzumaki: Noroi Simulation（うずまき 〜呪いシミュレーション〜，Spiral -Curse Simulation-）, was released on March 4, 2000 and is a simulation game.[38] Players are tasked by the Uzumaki Sennin（うずまき仙人，Spiral Master） to spread the spiral curse. The objective is to spread the curse across the town and find hidden objects to gain more "Spiral Power" and progress the story. The title also includes a mini-game involving one of the snail-human hybrids.[39]

Live-action film

主条目：Uzumaki (film)

In 2000, a live-action adaptation of Uzumaki was released in Japan.[40] Directed by Higunchinsky, it featured Eriko Hatsune as Kirie Goshima, Shin Eun-kyung as Chie Maruyama, Fhi Fan as Shuichi Saito, Keiko Takahashi as Yukie Saito, Ren Osugi as Toshio Saito, and Hinako Saeki as Kyoko Sekino.[40] The film consists of four parts ("A Premonition", "Erosion", "Visitation", and "Transmigration"), and as a result of being produced before the manga's conclusion, uses a different ending than the manga.

Anime

At 2019's Crunchyroll Expo（英语：Crunchyroll Expo）, a 4-episode anime television series adaptation was announced. The series is animated by Drive and co-produced by Production I.G USA and Adult Swim's in-house production arm Williams Street（英语：Williams Street）. The anime will be directed by Hiroshi Nagahama（英语：Hiroshi Nagahama）, with Colin Stetson（英语：Colin Stetson） composing music. It will air in October 2022 on Adult Swim's Toonami programming block before its Japanese premiere. This is the fourth time Cartoon Network, as an entire network, was directly involved in production of a Japanese anime, with The Big O (2nd season only), IGPX（英语：IGPX） (both the 2005 micro-series and 2006 anime), and the FLCL sequels, all receiving some form of animated production that was backed by the network.[41] Creative director Jason DeMarco has stated that as of March 25, 2020, production is still in progress, and that the COVID-19 pandemic has currently had no effect on production.[42] In an interview with Ito, he speaks of Hiroshi Nagahama in respect calling him quite talented. He also said that being faithful to his original manga made him "quite happy". Ito confirmed that the screenplay of the series is finished, since he checked. He says "Four episodes is way shorter than the original manga. They did a good job of rearranging the series. For example, someone who dies early on, now plays an important role later on. They did a fantastic job of crafting things together like that. The screenwriter is a very talented individual."[43] On June 10, 2020, the anime's official Twitter account presented some pictures of storyboards.[44] On July 22, 2020, the official Twitter announced the Japanese voice cast.[45] On July 26, 2020, Adult Swim reran the same teaser trailer during its Adult Swim Con and presented an interview with series director Nagahama. In addition to this, it was confirmed that the series was being moved back a year from its originally planned 2020 release.[46] On July 29, 2020, the Japanese voice cast officially started recording.[47] A second teaser video was posted on June 15, 2021, with comments from director Hiroshi Nagahama describing how the pandemic forced the team to "restructure" their plan for the anime from scratch. The video also confirmed that the anime would be delayed again until October 2022.[3]

Reception

Uzumaki was nominated for an Eisner Award in the category of "Best U.S. Edition of Foreign Material（英语：Eisner Award for Best U.S. Edition of International Material）" in 2003.[48] The Young Adult Library Services Association（英语：Young Adult Library Services Association） chose the first volume for its list of the "Top 10 Great Graphic Novels for Teens" in 2009.[49] The manga was also included on its list of the 53 "Great Graphic Novels for Teens".[50] Viz Media's Deluxe edition ranked No. 172 in Diamond's Top 300 Graphic Novels on October 2013 with a total of 784 copies sold.[51] IGN placed Uzumaki at #2 under their "Top 10 Horror/Thriller Manga" list.[52] About.com's Deb Aoki placed Uzumaki in her list of recommended horror manga, describing it as a classic of the genre.[53] Uzumaki appeared in 1001 Comics You Must Read Before You Die（英语：1001 Comics You Must Read Before You Die） (2011), and the reviewer wrote that it reminded him of the works of H.P. Lovecraft.[54] MyM（英语：MyM） magazine praised the manga, calling it "one of the scariest manga series around."[55]

In Manga: The Complete Guide（英语：Manga: The Complete Guide） (2007), Jason Thompson（英语：Jason Thompson (writer)） gave Uzumaki three and a half stars, and wrote that, taken as a whole, the manga succeeds as "an elegant and sometimes blackly humorous story of dreamlike logic and nihilism."[1] Thompson featured the manga again in his House of 1000 Manga blog, praising it for its originality, in that it revolved around "a certain nightmarish, fatalistic way of looking at the world".[11] Comics Alliance（英语：Comics Alliance） author and comic artist, Sara Horrocks, also praised the manga, stating "What makes Uzumaki such a strong work is how precise it is in it’s [sic] mechanics. It is meticulous in the way that a curse might be."[56]

For the first volume, Theron Martin from Anime News Network gave it a 'B', praising the art style and character designs, including Viz Media's new cover design. He stated, however, that "some of the attempts at horror get too preposterous for their own good."[57] Greg Hackmann of Mania gave it an A, praising both its "well-honed" art and Ito's ability to form an effective overarching plot out of Uzumaki's loosely connected substories.[58] Barb Lien-Cooper of Sequential Tart gave it a 7 out of 10, stating "The art is clean and simple. It works to help maintain the paranoia. The tone and pacing of this story are also just right. Altogether, one of the better horror stories I've read this year."[59] Ken Haley of PopCultureShock gave it an 'A' and praised Ito's effective use of body horror, though he noted that some of the curse's effects were more humorous than frightening.[60]

For the second volume, Lien-Cooper gave it 8 out of 10 stating, "What astounds me about Junji Ito's work is its deceptive simplicity and its flawless execution."[61] Sheena McNeil, also from Sequential Tart, instead gave it a 9 out of 10, citing the novel effects of the curse Ito invented.[62] Hackmann, however, gave it a 'B', explaining that "Unfortunately, this shift in story format is largely a failed experiment: with the overarching escape storyline put on hiatus, a good number of these disconnected episodes degenerate into simple, "lookit, weird stuff happening" horrorfests that lack much of the creative spark exhibited throughout the first Uzumaki collection."[63]

When reviewing the third and final volume, Haley again gave it an 'A', praising Junji Ito for providing answers to questions previously asked but not answered in a heavy or mundane form.[64] Lien-Cooper gave the conclusion a 6 out of 10, and criticized the initial ending as nonsensical and the expanded background given in "Galaxies" as uninteresting.[65]

References

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