奥费主义
关于古希腊宗教，请见“俄耳甫斯教”。奥费主义（法语：Orphisme），或称俄耳甫斯立体主义（cubisme orphique）是一个立体派的分支，该主义受野兽派、佛洛依德和米歇尔·欧仁·谢弗勒尔等的影响，其作品内容主要为光线构成的绝对的抽象。这个术语本身则是由法国诗人纪尧姆·阿波利奈尔在1912年提出的。奥费主义是立体派艺术向抽象艺术转折的关键期，其先锋人物为法兰提塞克·库普卡、罗伯特·德劳内和索尼娅·德劳内。[1]
这个术语的真正含义一直较令人费解。它来自古希腊神话中的俄耳甫斯，原因可能是因为后者被当做了理想的艺术家的典型，又是神秘主义的象征。[2]
注释
- ^ Tate Glossary （页面存档备份，存于互联网档案馆） retrieved 31 July 2014
- ^ Museum of Modern Art, New York, Hajo Düchting, From Grove Art Online, 2009 Oxford University Press. [2014-11-21]. （原始内容存档于2015-05-14）.
参考书目
- Baron, Stanley; Damase, Jacques. Sonia Delaunay: The Life of an Artist. Harry N. Abrams, Inc., 1995
- Buckberrough, Sherry A. Robert Delaunay: The Discovery of Simultaneity. Ann Arbor, Michigan: UMI Research Press, 1978.
- Chadwick, Whitney; de Courtivron, Isabelle. (ed) Significant Others: Creativity and Intimate partnership. London: Thames & Hudson, 1993.
- Chip, Herschel B. "Orphism and Color Theory". The Art Bulletin, Vol. 40, No. 1, pp. 55–63, Mar 1958.
- Damase, Jacque. Sonia Delaunay: Rhythms and Colours. Greenwich, Connecticut: New York Graphic Society Ltd, 1972.
- Gale, Matthew. Dada and Surrealism. New York: Phaidon Press Inc., 2006
- Hughes, Gordon "Envisioning Abstraction: The Simultaneity of Robert Delaunay's First Disk". The Art Bulletin, Vol. 89, No. 2, pp. 306–332, Jun 2007. The College Art Association.
- MoMA. Orphism （页面存档备份，存于互联网档案馆）
- Seidner, David. Sonia Delaunay. BOMB Magazine, 2/Winter, ART, 1982. https://web.archive.org/web/20090903142313/http://www.bombsite.com/issues/2/articles/60
- Stangoes, Nikos (ed). Concepts of Modern Art: Fauvism to Post-Modernism. Chapter: "Orphism", Virginia Spate. (Revised) London: Thames & Hudson, 1981.
